Stephen Dorff and Danny Huston in Travel Light.
Photo: Xenon Picutres
The COVID-19 pandemic isn’t over yet — who the hell knows if it ever will be — but its early months have come to feel like a distant, drunken, collective nightmare, when everything we thought we knew about human behavior seemed to get turned on its head. At first glance, the Angelenos in Bernard Rose’s dreamy and marvelous Travel Light, which returns us to the summer of 2020, act like space aliens. They speak through each other even as they judge one another. They alternate between anxiety and frivolity, as if nothing is all that important but somehow everything is significant. They’re all incredibly weird yet embarrassingly familiar.
Rose’s film (which is opening theatrically in New York after a run in Los Angeles and will hopefully be more widely available soon) takes place over the course of
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